{"id":7053,"date":"2019-04-08T20:56:34","date_gmt":"2019-04-08T23:56:34","guid":{"rendered":"https:\/\/spw.fw2web.com.br\/es\/2019\/04\/08\/helena-almeida-el-cuerpo-como-protagonista\/"},"modified":"2024-02-13T15:50:49","modified_gmt":"2024-02-13T18:50:49","slug":"helena-almeida-el-cuerpo-como-protagonista","status":"publish","type":"post","link":"https:\/\/sxpolitics.org\/es\/recomendamos\/arte-y-sexualidad\/helena-almeida-el-cuerpo-como-protagonista\/7053\/","title":{"rendered":"Helena Almeida: el cuerpo como protagonista"},"content":{"rendered":"<p><a href=\"https:\/\/sxpolitics.org\/es\/?attachment_id=4279\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-4279 aligncenter\" src=\"http:\/\/sxpolitics.org\/es\/wp-content\/uploads\/sites\/2\/2023\/06\/Helena-Almeida-4.png\" alt=\"\" width=\"893\" height=\"241\" \/><\/a><\/p>\n<p>Helena Almeida es una artista portuguesa nacida en Lisboa en 1934. Su trabajo se compone principalmente de autorretratos fotogr\u00e1ficos en blanco y negro en los que expresa conscientemente un gesto o una \u00abcondici\u00f3n\u00bb. Su cuerpo es el protagonista principal en su obra de arte.<\/p>\n<p>Asociadas con el movimiento Body Art, las actuaciones de Almeida se enfrentan a la representaci\u00f3n de las mujeres en la historia del arte, como en su serie For Study for Inner Improvement (1977). En una secuencia de fotograf\u00edas en blanco y negro, el artista parece comer pintura azul de Yves Klein, quien la patent\u00f3 como International Klein Blue cuando retrat\u00f3 y us\u00f3 a mujeres desnudas como pinceles.<\/p>\n<p><a href=\"https:\/\/sxpolitics.org\/es\/?attachment_id=4276\"><img decoding=\"async\" class=\"wp-image-4276 aligncenter\" src=\"http:\/\/sxpolitics.org\/es\/wp-content\/uploads\/sites\/2\/2023\/06\/HA_09.jpg\" alt=\"\" width=\"375\" height=\"306\" \/><\/a><\/p>\n<p>En otra serie, corta un lienzo y trata de pasar por encima de ella, invocando las pinturas recortadas de Lucio Fontana. \u00abMe impresion\u00f3 el lado oscuro de la barra, el misterio de lo que est\u00e1 m\u00e1s all\u00e1 del lienzo\u00bb, explic\u00f3. \u201cPero a diferencia de Fontana, quer\u00eda hacer algo que se desprendiera de la pintura. En lugar de mostrar el reverso del lienzo, sal\u00ed del lienzo \u00ab.<\/p>\n<p>Nacida en 1934 en Lisboa, Portugal, hija del escultor Leopoldo de Almeida, estudi\u00f3 pintura en la Escuela de Bellas Artes de Lisboa y se gradu\u00f3 en 1955. Almeida represent\u00f3 a Portugal en las Bienales de Venecia de 1982 y 2005, y sus obras son en las colecciones de la Tate Modern de Londres, el Museo de Arte Moderno de Nueva York y el Museo de Arte Contempor\u00e1neo de Barcelona, \u200b\u200bentre otros. Vive y trabaja en Lisboa, Portugal.<\/p>\n<p>SPW ha presentado su trabajo una vez antes en 2015. En la ocasi\u00f3n, el Estatuto de la Familia fue aprobado en la C\u00e1mara de Representantes de Brasil y su arte cuestiona expresivamente las ideolog\u00edas binarias y de \u00abvinculante vinculaci\u00f3n\u00bb se\u00f1aladas por las fuerzas conservadoras religiosas presentes en ese momento.<\/p>\n<p><a href=\"https:\/\/sxpolitics.org\/es\/?attachment_id=4280\"><img decoding=\"async\" class=\"wp-image-4280 aligncenter\" src=\"http:\/\/sxpolitics.org\/es\/wp-content\/uploads\/sites\/2\/2023\/06\/Helena-Almeida.png\" alt=\"\" width=\"319\" height=\"318\" \/><\/a><\/p>\n<p>Ahora, en 2019, volvemos a ella como una vez m\u00e1s el cuerpo, y las concepciones esquem\u00e1ticas y estrictas, fue un protagonista de la pol\u00edtica en el amplio sentido de la palabra, disputado durante los eventos de marzo, el Congreso Mundial de Familias, Comisi\u00f3n sobre el estatus de la mujer, pero tambi\u00e9n en la resistencia representada por feministas de todo el mundo.<\/p>\n<p>Si desea saber m\u00e1s sobre Helena de Almeida, visite el sitio web de <a href=\"http:\/\/www.helgadealvear.com\/web\/index.php\/tag\/helena-almeida-en\/?lang=en\">Helga de Alvear<\/a> o disfrute el video <a href=\"https:\/\/www.youtube.com\/watch?v=JnmbN3Yitcs&amp;feature=youtu.be\">Seduciendo con pintura habitada<\/a>, guiado por Fernanda Isabel Ramos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Helena Almeida es una artista portuguesa nacida en Lisboa en 1934. Su trabajo se compone principalmente de autorretratos fotogr\u00e1ficos en blanco y negro en los<\/p>\n","protected":false},"author":11,"featured_media":7056,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[15],"tags":[29,215,80,85,207],"class_list":["post-7053","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arte-y-sexualidad","tag-brasil","tag-cultura","tag-feminismos","tag-genero","tag-sexualidades"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Helena Almeida: el cuerpo como protagonista - Sexuality Policy Watch [ES]<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sxpolitics.org\/es\/recomendamos\/arte-y-sexualidad\/helena-almeida-el-cuerpo-como-protagonista\/7053\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Helena Almeida: el cuerpo como protagonista - Sexuality Policy Watch [ES]\" \/>\n<meta property=\"og:description\" content=\"Helena Almeida es una artista portuguesa nacida en Lisboa en 1934. 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